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Yao Yuan :
His recent works: In 1996, at the proposal of Vice-Premier Li Lan Qing and as the symbol of friendship between China and Korea, a copper sculpture of a «Conch Girl» was presented to South Korea. The statue was placed in the Sculpture Park on Cheju Island of Korea and is the only sculpture created by a foreign artist to be placed there. In 1997, in order to celebrate the return of Hong Kong to China, his «Symphonic Cantata Ode to the Great Wall» was broadcast throughout China on CCTV. A newspaper called it “a passionate melody flowing in the blood vessels of the Chinese nation.” In 1998, for the return of Macao to China, another of Yao Yuan’s musical compositions «Symphonic Cantata Ode to China» was played during the fireworks. It aroused great response throughout the country as it was simultaneously broadcast on CCTV, Hong Kong and Phoenix TV Stations. On January1, 2000, twelve central departments and bureaus of China was acknowledged Yao Yuan’s sculpture «Twin Chinese Dragons» as one of his greatest creations. It stands for the unification of China, Great Wall, Yellow River, Democracy and Integrity. It was first unveiled at the Chinese History Museum as “the auspicious totem of the Chinese Nation” and it now stands in front of the Central TV Tower in Beijing. Also in year 2000, for the 55th anniversary of the victory of World War II, China presented a copper sculpture by Yao Yuan to Russia called «In Memory of the War against the Nazism». It is now in the Moscow Central Museum. Yao Yuan also created a fifteen-meter long calligraphy «Songs of Integrity» by using four calligraphic styles, Zhuan, Wei, Ni, Jian. For this he was awarded the special honorary prize by Europe-Orient Art Competition and was invited to be a professor at Europe-Orient Art Institute. On January1, 2001, Yao Yuan created his first stainless-steel sculpture «Goddess of Peace». The statue was inaugurated at the Friendship Square in Beijing. Foreign Minister Tang Jia Xuan and many envoys and foreign friends from different countries attended the unveiling ceremony. It has now become the symbol of peace and friendship of China.
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In thinking of the Second World War, it is natural that the Japanese invasion of their homeland would be foremost in the Chinese mind. When Yao Yuan began his quest for peace he realized that for Europeans their experience with the Nazi was equally as traumatic. To expand his message on a global scale the artist thought it appropriate to acknowledge this major struggle and saw the 60th anniversary of Normandy as being and ideal occasion to express his solidarity with European and their longing for peace.
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